Bandwagon noun (pl. bandwagons) 1. A large wagon used to carry a band of musicians in a parade.
Showing posts with label Little Comets. Show all posts
Showing posts with label Little Comets. Show all posts

Tuesday, 7 August 2012

Little Comets Come to Life

Robert, Michael & Matthew at RockNess Fest

I'm overjoyed to report that my favourite current band, Little Comets, are on the new Radox ad. This should boost their fan-base to a more deserving figure. It's no surprise that someone has finally caught on to their catchy, feel-good tunes and 'Dancing Song' represents Radox's 'Come to life' slogan brilliantly. Good on you, lads!


I caught up with the trio earlier this Summer for an interview and a quick game of 'Would you rather...?'



Radox's 'Come to life' ad feat. Little Comets

What’s your earliest memory of music?

Robert: My mum and dad took home videos of me and Micky when we were like 5 or 6 just being generally quite naughty and they put a soundtrack over them so instead of us speaking to each other it would be music that they liked and associated with that moment. So a track called ‘Beautiul Boy’ by John Lennon. I always get a swell of something when I listen to that song and I think it’s cos my dad associated that with me and Micky when we were little.

Why do you guys think the North East is producing such good music at the moment?

I don’t know. There are a lot of really good bands. We were listening to Mammal Club yesterday. That’s just fantastic music. How somebody hasn’t picked up on that I don’t know.

I think Newcastle is quite an isolated place and the North East is pretty isolated so it has a real sense of identity in its music. And I think we notice a lot of North East music has the same melodic intonations from, like, Northumbria folk music. So if you listen to Sting or Dire Straits or, more recently, Maximo Park, you can hear certain phrases. It’s not that people copy each other, it’s just inherent, it’s like from the land. You almost inherit it.

You (Robert) use lots of different parts of your mouth to song and that makes you guys sound really distinctive. How did you learn to use your voice like that?

Robert: I’ve just always sang how I’ve sang. I didn’t used to be a singer. I used to be just a bass player who did backing vocals and then the singer left. Cos we’d already written the songs and it was somebody else singing our songs. And then when he left, which was in sixth form, no one else wanted to sing so I did! And from singing really bad Bon Jovi covers when we were 14. The more you do it the more you learn your way of doing it.

Did you ever have any lessons?

Robert: I did, I went for a bit cos I was having trouble a few years ago looking after my voice. I’d be able to sing in the house but when I went on stage I found my throat constricted and I found it really difficult to hit certain notes. So I went to lessons for a few months and learnt loads of vocal exercises. And I think more than anything else it was learning how to breathe properly and relaxing and singing loads. I’m quite relaxed on stage now cos I know that I’m not overstretching it. I think as a band we’re a lot more relaxed. I think we’re a lot more comfortable.

If you could only eat one colour of food for the rest of your life what would it be?

Robert: Green. It’s good for you. It would be harsh to do, so if you did it you might as well do it for healthy reasons. Or you could blend food together to make it green. Yellow food and blue food.

If Little Comets were a Disney character what would you be?

Oh dear…I don’t do Disney. What’s Monsters Inc, is that Disney as well? One of them, the nice on in that, the big blue one.

Sully! Why?

Cos he’s big, fluffy and blue. Is there any more reason to like anything!

The boys released their first album last year

Who came up with the idea of hanging the percussion instruments on a rope above you while you play?

Robert: I did. It’s cos we figured that if we had to pick them up you’d panic and just drop them when you’re finished with them. So you could smash them. So it was more efficient to string them up because then we’d get more use out of them.

I saw you had a book of knots before playing…

Matthew: Ah no, Biffy Clyro’s guitar tech was on the side and he was like “Do you want a hand tying your knot, like?” And I was like “Oh no I’m fine like, I love me knots, I quite like me knots.” And he was like “You’ll like this” and just got a book of knots out. I was like “That’s brilliant, we should get married!”

'Jennifer' from May's EP Jennifer and other short stories

We’ve got a quick game of Would You Rather.

Ohh we love this game. We’ve tested this game to absolute destruction.

But we didn’t want to go too filthy (normally we probably would)… We’ll start with some easy ones…

Would you rather…be a golf club or a cricket bat?

Cricket bat.

Would you rather…only ever wear orange or black?

Black.

Would you rather…be a king or a ninja?

A ninja.

Would you rather…drink a shot of someone else’s urine or a pint of your own?

Robert: A pint of me own.

Michael: I think a shot of someone else’s, depends who.

Would you rather…constantly be crying or constantly be sneezing?

Unanimous: Sneezing. I quite like sneezing.

Would you rather…only be able to shout or to whisper?

Unanimous: Whisper.

What’s the best ‘Would you rather…?’ that you guys have come up with?

Matthew: Oh no…not a good idea to ask us that question!

Robert: The one I’d like is would you rather go to prison for life for a crime you didn’t commit or kill someone and get away with it?

In the dressing room backstage at RockNess

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Interview with Little Comets by Sophie Ellis at RockNess Festival, Sunday 10th June 2012.

Saturday, 23 June 2012

RockNess Review


Reporting for The Bubble at RockNess

Being someone who gets queasy from travelling, I am not looking forward to the next five hours. Especially when the train guard at Durham Station glances at my ticket saying, “Another one with a long journey ahead”… But once aboard the carriage, the lush green fields and glistening sea I whizz past pleasantly surprise me.

I chat my way through most of the ride with my two best buds and wind up at Inverness in north Scotland at 8pm. The town centre is super-cute and the river that weaves through it is stunning. We check in to a dainty little B&B and after a good night’s sleep (and a quick booze trip to Tesco) we hop in a taxi to the festival site.

Once there, I’m amazed to be pitching my tent a two minute dawdle from a view of Loch Ness, surrounded by mountains. It might be foggy but this is marvellous. The afternoon draws on and I’m gallivanting around the festival site. I wander past a huge inflatable church where I’m greeted by a hyper middle-aged nutter. She invites me to get married in full bridal threads (at a price). I decline but six men dressed as monkeys are gathered at a nearby picnic bench awaiting entry to the disco-charged place of worship.

Onwards I potter and I’m seeing blindfolded space-hopping competitions hosted by twenty-somethings in pink boiler suits. “I only want to see you fanny bashing that space hopper” the lass with the fluorescent mic exclaims. Perhaps placed strategically nearby in case of Tigger-type injuries is a Welfare tent. Free condoms, tea, drug advice and even beds to nap on are available inside this haven. I bear this in mind and head off to catch some music.

­Realising it’s two minutes from Mystery Jets’ slot on main stage I hurry over and manage to get a comfy spot close to the front. The bass is so powerful it makes my nose vibrate. They play a mix of old and new songs and I catch up with them afterwards in their dressing room. The boys tell me they’d be “a lighter shade of pale” if they were a colour and when they get writer’s block they “smash it with a sledge hammer”.

Mystery Jets DJ Set
I spend the rest of my day at the Red Bull Studios Live festival stage, where DJ sets from Mystery Jets, Hudson Mohawk, Friendly Fires and Kobi Onyame (amongst others) will take place over the weekend. Carefree and cocktail in hand, I dance the afternoon away with my chums. Passers-by are beckoned in by feel-good remixes of numbers like Outkast’s ‘Hey Ya’ as well as gritty hip-hop mixes and drum & bass. I catch Mumford & Sons on the main stage, head back to my tent and nod off feeling content.

I’m awoken in the early hours, heart racing, by a clamour at the foyer of my tent followed by a ‘Sorry’ in a thick Scottish accent. A minute later the chap, who's clearly had one too many, is struggling to eject his bottom from my now crumpled porch. The next morning I wake to find that Loch Ness has effectively leaked into our dwelling. I double-take and the puddles are a pinkish red… The Skittles vodka I carefully concocted two days ago has seeped onto my mate’s bag. The poor thing is so drenched it’s paralytic! But it’s all in the festival spirit and after a swift cleanse of the tent we head off to the GoldenVoice Arena.

Comedian Daniel Sloss performs his usual spiel about being bad in bed and is followed by the man we’ve all been waiting for: Tim Minchin. I’m right at the front and his devilish eyes twinkle in the darkness. As he spits out his lyrics and pounds his right leg up and down we are gobsmacked by his talent. He’s seemingly smug with himself when he conducts the crowd to repeat the phrase ‘moose semen’ after him. “Ed f****** Sheeran didn’t say f****** moose semen did he!?” Minchin bellows. Fittingly he goes on to sing Prejudice, his slapstick tune about anti-gingerism. By the end of his set we’re full of cheer.

The adorable Fyfe Dangerfield from Guillemots

Guillemots are next on my to-see list and Fyfe Dangerfield’s singing is expressive as ever. The multi-national group play some wonderful tracks from new album Hello Land! - the first of four albums to be released this year. When Fyfe exits the stage he tells me they haven’t played on stage for a while so he’s not confident it went well but I assure him they went down a treat. We have a lovely conversation and it’s clear he’s a really nice guy. “You can’t pay too much attention to thinking about what people want from you ‘cos you get lost”, he tells me.

I’m now a very hungry caterpillar so I nosh some noodles on the hillside looking down at the main stage. DJ Fresh Live is playing – prime background music for a chilled pit stop. A cover of Coldplay’s ‘Paradise’ wildly stimulates the crowd. As darkness falls, a sea of glow-in-the-dark mouse ears makes its way to the main stage. Deadmau5 appears on a tall podium and for two hours he orchestrates an explosive rave.

Northeast-bred boys Little Comets

Sunday morning, and the final day of RockNess has arrived to my dismay. Little Comets are on main stage and they really impress the fans and first-time listeners with their upbeat indie ear-pleasers like One Night In October and Joanna. “We’re guna play quite a soft sad song (Violence Is Out Tonight) now but it’s Sunday afternoon so it should work” lead singer Robert utters. It’s beautiful and gets a big thumbs up from me for its catchy beat. Today is already a winner as far as I’m concerned.

I lead my mates to see Totally Enormous Extinct Dinosaurs. The laid back yet electrifying feel to Orlando Higginbottom’s dance music is killer. We’re in a trance, helped by the flickering strobe lights and on-stage robotic dancers. And that’s not the only dancing of the day – we find ourselves grooving to a different genre of music with Chic feat. Nile Rodgers on main stage. “Do you feel like freaking out?” we’re asked. Yes we do. The disco legends really get us going with big hits Le Freak, Good Times and Everybody Dance. This is the best live performance I’ve ever seen and I’m sure most other on-lookers are thinking the same.

I’m wowed by the weekend.


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Article previously seen on The Bubble http://www.thebubble.org.uk/music/rockness-festival